Archive November 2017

Earl and Countess of Shaftesbury

Posted on in Editorial photography, Portrait photography

Portrait of the Earl and Countess of Shaftesbury

This portrait commission for Country Life Magazine, accompanied an article in the issue on 22nd November 2017 about the Country House Foundation which offers grants to help the preservation of buildings of historical or architectural significance.   Indeed, this charitable foundation has helped the Nick Ashley Cooper, the 12th Earl of Shaftesbury, restore the St Giles House Estate, Wimborne St Giles, back to its former glory.  The earl explained:  “During the restoration, we wanted to showcase one room in its unrestored state.  The Great Dining room seemed the perfect space to do that, with its bare brick walls and layers of history.”

My aim was create an informal portrait from an angle which best displayed these ‘layers of history’, with particular focus on the juxtaposition between the bare brick and remaining plaster.    What you can’t see are the two new layers of history on the carpet where Hettie (taking pride of place on the chair) was sick when she came in!



Frontispiece Country Life Magazine

Posted on in Editorial photography, Portrait photography

Country Life Magazine Frontispiece

Another very enjoyable portrait commission from Country Life Magazine: photographing Cecily Offord at home in Devon for the frontispiece with my great friend and very talented make up artist Amanda Jackson Sytner.

Although the weather was rather dreary, the light was soft and there was little wind – so great conditions for portrait photography.    The only set back with soft lighting is that it’s flat and lacking in shadow which adds a depth and mood I love particularly in close up portraiture.    However, I found an ideal location under a pergola offering opportunity for creating soft shadows, a lovely wall with plants growing up in the background, and soft light flowing in from the front and right.   I positioned the chair towards the front on the right, where there was sufficient light behind to avoid her her being lost in the dark background, and angled it so as create some soft shadow on the left of Cecily (from the viewer’s perspective).

We then worked through a variety of poses on & around the chair, which resulted in a wonderful selection of stunning portraits.   The combination of a stunning model, make up, red velvet jacket and set up all worked in my favour.   The one Country Life chose is but one of my many favourites.